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Whisht!
is a group of traditional singers who live in County
Wexford, Ireland. United by a love of songs and singing they are
driven by a desire to share their passion with a wider audience.
These are all traditional singers of the highest
calibre with a freshness and infectious joy that will provoke a
reaction in any audience. The group features a mixture of young
and old, male and female, townies and country folk with a variety
of songs as rich as the patchwork design of the Wexford countryside.
Songs of love and war; of heartbreak and triumph; of sport and politics;
of emigration and re-union; serious songs; stupid songs; fast songs;
rebel songs; songs of the Wexford Coast; songs about Napoleon; they're
all a part of the vast repertoire of this talented and energetic
ensemble. The group features holders of many All-Ireland titles,
and many have their own albums to their name.
In 2007, Whisht!
released their debut album, The Cuckoo's Note.
Including 14 unaccompanied tracks, and a 20-page professionally
design booklet, the album was recorded at Liam Clancy Studios, An
Rinn, County Waterford. Engineered and mastered by Kevin Evans,
it was partly funded by the Arts Council of Ireland.
Whisht! is the evocative name
of a group of traditional Irish singers based in County Wexford.
To appreciate the name, say it aloud. This beautiful collection
of songs is the outward expression of their passion for all that
is good and exciting in the song tradition of Ireland.
( Irish
Music Magazine)
In June 2008, Whisht!
performed in the world premiere of HARBOURING for multiple choirs
and string orchestra. Commissioned by Wexford County Council Per
Cent for Art scheme, and composed by Ian
Wilson, the performance featured: Wexford Festival Singers,
Enniscorthy Choral Society, Gorey Choral Group, Whisht!,
Dermot Dunne, accordion, and the Irish Chamber Orchestra - cond.
Fergus Sheil.
"Whisht! traditional singing
group provided excellent tremelous vocals on Macquarie Harbour which
is spooky and atomspheric ... Currach features excellent vocals
from Helen Kirwan, with the male vocals equally strong. It is an
intimate, genuinely moving performance, with hushed playing [from
the Irish Chamber Orchestra] during which you could see a sudden
tremor of life in the conductor's [Fergus Sheil's] hand as he went
about his work ... The Harbour was written by Irish poet, Winifred
Letts, and speaks of the Wexford coastline. It was an ideal finish
to the musical event, including all of the choirs, with a paroxysm
of emotion provided by Paddy
Berry of Whisht!" (David
Looby, The Echo)
"Currach, by Tony Curtis,
was sung by Paddy
Berry, Helen Kirwan, Paul O'Reilly and Niall Wall with delicate
monochromes, and a vocal beauty at once as fleeting as wild tulips"
(Tom
Mooney, The Echo)
“WHISHT!” brought
a powerful tonality to the choral and string orchestral harmony.
These distinct tonalities brought three forces together and created
the sound world, which coloured by the haunting accordian brought
us to many unusual and personal harbourings.
(START
Magazine)
And finally, traditional singing in Wexford is probably
best summarised and described by traditional commentator Seamus
Beag Ó Murchu;
"Wexford Singing differs
significantly from that of other regions in that it owes its development
less from isolation and more from the influences that have washed
through the area over the centuries. Typically inclusive, Wexford
singing will have always also featured people not even from the
area but who have, through their contribution and the natural openness
of Wexford people, become as integral a part of the landscape as
the Blackstairs themselves.. Singing in Wexford in not a commentary
or a narrative but is a link to the very spirit and soul of the
remarkable and unique people who inhabit this part of South-Eastern
Ireland."
For further information contact Niall on +353
87 2607010 or whisht@eircom.net
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